Following the events of Godzilla 1985, scientists collect genetic material from the mutated dinosaur Godzilla's scales. A Middle Eastern country wants the samples for their own purposes, but meanwhile, a lonely scientist combines Godzilla's genetic code with those of a rose and his own deceased daughter. The result is Biollante, an eerie plant of titanic proportions. To make matters worse, a psychic woman detects Godzilla stirring from his volcanic prison. The military sends the flying Super-X2 to stop the beast from thrashing Japan, but eventually Godzilla engages the rapidly mutating Biollante in a fight to the death.
A scientist combines the cells of a rose with those of Godzilla to create a biological creature more horrifying than any seen before. The two do battle after a destructive tour of Japan by Godzilla. A newly released version includes many new fight scenes that were cut out of the theatrical version.
It is lame, because, why doesn&#39;t Biollante get killed? That&#39;s why I find it lame.<br/><br/>There is only one part I liked, when that vine went through Godzilla&#39;s hand.<br/><br/>It should have had less talking and more monster fighting. Why did Super X-2 have no people flying it and only people at the base? Biollante was cool, but why did he have so much vines with mouths? <br/><br/>I think that because Godzilla&#39;s DNA was transformed into roses DNA I think when it went into space it mixed with space DNA and became Space Godzilla.<br/><br/>I like the film with Orga better, this was the worst Godzilla film I have seen.<br/><br/>(Reviewed by Daniel, age 7)
Sequel to &quot;The Return Of Godzilla&quot;/&quot;Godzilla 1985&quot;(though no Raymond Burr this time!) picks up where that left off, with the aftermath of Godzilla&#39;s destruction, and a plot by different groups of people to harvest its cells to be sold and studied for profit. Five years later, one such experiment comes to fruition with the creation of an enormous plant monster/rosebush that immediately battles a re-awakened Godzilla from his volcanic slumber… Strange film scores points for originality but loses others for sheer goofiness and overt mysticism; goes on too long as well, though does have some impressive fight scenes. Can be seen at least on DVD.

Unlike most movies that have an black backdrop during the credits, the Heisei Godzilla films had special footage that played during the credits. In this film we see the symbolic image of a rose above Earth, showing audiences that Biollante is still alive and a possible hint to her return to Earth in &quot;Godzilla vs. SpaceGodzilla&quot;. Yes, in fact there are three. keep in note these scenes can not be seen on the internet anywhere (as far as I have searched) or on the Sony Tristar DVD release of the film. In order to see them you must buy the actual Toho DVD, available on Amazon.com and monsterislandtoys.com.<br/><br/>1) Extended footage of Godzilla marching to Lake Ashino<br/><br/>2) At the end of Godzilla and Biollante&#39;s first fight, he kills her as he did in the final cut, by setting her on fire with his heat ray. However, in the deleted scene, the golden energy spores left behind her body rise into the air and then cover the shores of Ashino lake in a blanket of beautiful flowers. godzilla is only briefly intested, before leaving. Although Koichi Kawakita (the SFX director) was impressed with his work, the flowers were out of scale, and so the screen was scrapped.<br/><br/>3) there was a radical alternate ending where Godzilla actually dies from the ANEB (Anti-Nuclear Energy Bacteria) and Biollante, also wounded due to Godzilla&#39;s heat ray, swallows Godzilla and both become the golden energy spores seen earlier when Biollante first died. The scene used a combination of anime and live action to depict this, but this was ultimately cut out in order to continue the series . Godzilla died a somewhat similar death six years later in the film &quot;Godzilla vs. Destroyah&quot;<br/><br/>4) There is a famous cut scene where stop motion is used for the first fight scene between Godzilla and Biollante, but this was either cut out because the film makers wanted to continue to use the tradition of suit-mation and practical effects, and or budget constraints.
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